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A Victorian era etching of a crowd of citizens surrounding a king who is only wearing his underclothes

The Business of Opera summit (Part 4 of 4): The Emperor has no clothes!

It is 2024—fascists are being voted into government, our nations are at war and industries are setting our world on fire. It is time to stand up. If you do not, then how can you avoid being part of the problem?

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A room full of discussions with a diverse range of people from all walks of life talk about opera

The Business of Opera summit (Part 3 of 4): An opera conference of negative vs positive impact

My third takeaway from the Business of Opera summit was that the net impact of the event was negative. Here is a list of reasons why.

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A powerpoint slide identifies a difference between traditional and new audiences for opera

The Business of Opera summit (Part 2 of 4): What in opera’s name are you talking about?

For those unfamiliar with opera, its' "posh" and "traditional" aspects are over-emphasised to the detriment of much needed new creation and innovation. So, what is "opera"? Is it "posh" or is it "new" - how can it be both?

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The Business of Opera summit (Part 1 of 4): A toxic conference

The Business of Opera summit, organized by the Laidlaw Opera Trust, aimed to advance accessibility, inclusivity, sustainability, innovation, and collaboration. Yet it embodied none of those ideals, and now I really need to talk about it.

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Omar Shahryar © Frances Marshall

How do you get a new opera performed: secrets from a professional opera composer

With my new opera-in-progress being associate produced by one of the UK's biggest opera companies, here's how I go about getting my operas produced by other companies

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